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To Be or Not To Be & Other Editing Quandaries: Heart of Dixie Online Workshop December 10, 2010

I’m shamelessly plugging the Heart of Dixie’s online workshops because I am the online workshop coordinator. The line up for 2011 is on my HOD Online Workshop Page and you can get to it by clicking the link at the top of the page. I love online workshops because I can control when I do the work and when I contribute my work to the group as a whole. So I don’t just coordinate the workshops for my writing chapter, I also take online courses with them (as the coordinator) and with other organizations. If you have time constraints and other obligations, it is so easy to save the files and look at them later, too. Not everyone posts their issues, problems, “homework” answers which is fine. However, I’ve discovered that the more I post, the greater benefits there are to me as a writer. 
Please join me and my HOD writing chapter for January’s online workshop:
To Be or Not to Be & Other Editing Quandaries
Instructor: Cindy VallarFreelance editor and Associate Editor of Industry for Solander magazine and a historical novelist (http://www.cindyvallar.com/)
January 3-28
Cost: $20
Workshop Description: Authors are told to write the best book we can, but in today’s competitive market that’s not always enough. We could follow Mark Twain’s advice: Substitute damn every time you’re inclined to write very; your editor will delete it and the writing will be just as it should be. In reality, though, the writer has to make the changes. While not all of us are adept at putting on an editor’s hat, there are some simple steps to take to tighten the writing and polish the manuscript.
This workshop provides tips on what an author can look for to improve your chances at getting past the initial query. We’ll cover passive vs. active sentence construction, redundancy, weak vs. strong verbs, stating the obvious, synonyms, cause and effect, dangling modifiers, clarity of pronouns, author intrusion, speaker identification tags, adverbs and adjectives, head hopping, and more. The list may seem daunting, but if you know what to look for, you can easily make corrections that may increase your chances of getting a request to see your entire manuscript.
Presenter Bio: A retired librarian, Cindy Vallar is a freelance editor and the Associate Editor of Industry for Solander, the magazine of the Historical Novel Society. She writes “The Red Pencil,” a column that compares a selection from author’s published historical novel with an early draft of that work. She is also the Editor of Pirates and Privateers, and a content editor for Pyrates Way magazine. Aside from presenting workshops, Cindy writes historical novels and articles on maritime piracy, reviews books, and maintains her award-winning web site, Thistles & Pirates (http://www.cindyvallar.com/), which she invites you to visit.
As a special bonus, if you mention this blog as your reason for attending the workshop, I will put your name into a drawing for a special prize to be announced at the time of the class.
See you in the virtual classroom!
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